Spooky Science at the Movies!: Week 2

Environment, Film, horror, Humanities

By Christy Tidwell

Horror movies are often defined by their monsters. Sometimes these monsters are terrifying beasts that give us nightmares (like Guillermo del Toro’s Pale Man from Pan’s Labyrinth or Pennywise from Stephen King’s It), sometimes they’re kind of silly (like the rampaging rabbits in Night of the Lepus), and sometimes they’re surprisingly sympathetic (like Frankenstein’s Creature).

In any case, monsters demonstrate something about both the world we live in and what we fear. In the 1950s, people feared nuclear war; now, we fear climate change. The two horror movies I’m recommending for this week directly address those fears, presenting viewers with monsters that embody the harm of nuclear warfare/testing in one case and that are the direct result of climate change’s superstorms and unpredictable weather patterns in the other.

Big Problem, Small Form: Climate Change Poetry

Environment, Poetry

By Christy Tidwell

Climate change can seem overwhelming. It’s so big, and responding to it will involve more than individual actions, so it’s easy to feel discouraged or fearful. It’s also tempting to simply deny that it’s happening and hope for the best. In This Changes Everything: Climate Change Vs. Capitalism, Naomi Klein writes about how easy it is for us to “look for a split second” and then look away, joke about it, “tell ourselves comforting stories about how humans are clever,” etc. She writes, “All we have to do is not react as if this is a full-blown crisis. All we have to do is keep on denying how frightened we actually are. And then, bit by bit, we will have arrived at the place we most fear, the thing from which we have been averting our eyes. No additional effort required.” Obviously, this denial does not solve the problem.

Poetry works against this denial in a variety of ways. Some poets simply describe the losses we face. Risa Denenberg’s “Ice Would Suffice” (2017), for instance, emphasizes how “species are lost, / spotted frogs / and tufted puffins forsaken” and observes how we remain “heedless of lacking space / or how long / our makeshift planet will host us.” From its title’s reference to Robert Frost’s “Fire and Ice” (1920), a poem about how the world might end, to its emphasis on failure and loss, Denenberg’s poem demands that readers face our own human decline and likely extinction.