teaching

Writing on Demand vs. Writing on Purpose

computers, teaching, Technology, writing

By Evan Thomas

What does it sound like to sound educated yet know nothing? In a 17th-century comedy by Molière, Le Bourgeois Gentilhomme (“The Middle-Class Aristocrat”), a rich cloth merchant tries to imitate aristocratic education and speech. He takes philosophy classes and learns that his normal expressions “require a little lengthening” – he must learn how to stretch heartfelt statements (“your lovely eyes make me die of love”) into aristocratic contortions (“Of love to die make me, beautiful marchioness, your beautiful eyes”; “Your lovely eyes, of love make me, beautiful marchioness, die”; “Die, your lovely eyes, beautiful marchioness, of love make me”; “Me make your lovely eyes die, beautiful marchioness, of love”). The joke is on him, as his rhetoric tutor cruelly exploits his easy admiration for excessive, voluminous, amplitudinous, prolix, verbose, copious speech.

The example of the Bourgeois Gentilhomme is echoed in a new development in AI. Recently, OpenAI released ChatGPT, a large-language model (“LLM”) AI that appears to have tremendous facility at composing passable long-form texts. As an educator in higher ed, I don’t think that writing pedagogies are remotely ready yet for the instructional challenges posed by this technology. The main concerns that academics have had about AI and collegiate writing have to do with academic integrity. These are important concerns and addressing them will probably have massive relevance in the years to come.

Headline: Schools Ban ChatGPT Amid Fears of Artificial Intelligence-Assisted Cheating
Headline: Teachers Fear ChatGPT Will Make Cheating Easier Than Ever

However, not all academics are especially concerned by the threat posed by AI language models. First, some academics express confidence that their domain-specific knowledge is too inscrutable for a machine to understand. Second, others suggest that the strength of their bonds with their students would make it impossible for their students to make an unnoticed switch to a different voice. Whether the first or second case is true, whether some content or character is indelible, there are finer, more constructive applications of LLMs to writing in higher ed.

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Planting Seeds: Anchoring Ethics in the Dirt

Classes, Environment, teaching

By Christy Tidwell

My Environmental Ethics & STEM class asks big questions about knowledge, values, justice, and responsibility – both individual and systemic – related to environmental issues. Although I try to situate these conversations in specific, real-world examples, they can still sometimes seem abstract or beyond the scale of my students’ reach. They may wonder what they can do to address climate change, for instance, or to change corporate policy.

But they can, of course, make a difference, and we look for ways to identify the actions they can take (again, not just individually but within larger contexts). In the meantime, to help connect us more fully to the environment, this semester I asked my students to plant seeds and to do their best to grow them and keep them alive. It’s my hope that working to protect and nurture one small plant will give the class a personal connection that issues of pollution, plastics, or water rights may not always have.

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STS Faculty Profile: Christy Tidwell

STS Faculty Profile

Christy Tidwell is Associate Professor of English & Humanities. You can learn more about her research and teaching at her website.

What’s your area of expertise? What do you primarily research and/or teach? And what drew you to this field?

I typically research and write about speculative fiction, environment, and gender. My dissertation was about feminist science fiction and feminist science, for instance, and since then I’ve co-edited and written for two books on speculative fiction and the environment: Gender and Environment in Science Fiction and Fear and Nature: Ecohorror Studies in the Anthropocene. I have an ongoing interest in dinosaurs in popular culture, especially as dinosaur stories relate to ideas about extinction, and I also sometimes write about Black film/media and disability.

In my work on science fiction – whether related to environmental issues, gender, race, or disability – I look at how we respond to the problems in the present and how we might imagine different possibilities in the future. In my work on horror – again, no matter which of these issues I’m addressing – I look at how our fears (for instance, fears of the natural world or fears for the natural world) shape our lives.

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Automatic Art: or, How to Take the Human out of the Humanities

art, Humanities, teaching, Technology

By Evan Thomas

I often teach a general education Humanities course (HUM 200, officially titled Connections: Humanities and Technology) on the topic of “Automatic Art.” As a Humanities class, we study representative elements from the entire range of arts and letters:

Those are representative examples of the coursework – but what is “Automatic Art”? The term doesn’t actually have much reality outside of my course. (Frustrated students will often turn to the surrealist technique of Automatic Writing, which does exist, but has little bearing on the collection of objects we study.) I like to tell students that “automatic art” is equivalent to “taking the human out of art,” but what does that actually mean?

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Humanities & Technology: Defining Terms and the Complexity of STS

Classes, Humanities, Technology

By Christy Tidwell

Today marks the end of the first week back to class for South Dakota Mines, and the STS faculty are hard at work in their classes and enjoying meeting students! We are teaching classes on Environmental Ethics & STEM (HUM 250 with me), Computers in Society (HUM 375 with Dr. Erica Haugtvedt), E-sports (HUM 376 with Dr. John Dreyer), History and Philosophy of Science (PHIL 335 with Dr. Michael Hudgens), Terror & Horror (ENGL 392 with Dr. Laura Kremmel), and Licit and Illicit Drugs (SOC 411 with Dr. Kayla Pritchard) – plus many others! As this list of courses indicates, STS covers a lot of ground. It needs to, given its promise to study science, technology, and society, and there are countless ways to approach the field and the topics it includes.

In addition to Environmental Ethics & STEM (mentioned above), I am also teaching Connections: Humanities & Technology (HUM 200) this semester, which is a great illustration of what the STS major is all about. Since the course description and title are pretty broad, I’ve narrowed things down to focus on the following big questions:

1. How do we communicate with each other?
2. How do we design and build the places we live?

In response to these questions we will explore communication technologies from paper and books to social media, film, and robots, and we will consider urban design issues like curb cuts and plumbing, historical and contemporary ideas about what a home looks like, and what the city of the future could look like.

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