By Christy Tidwell
As I noted in my earlier discussion of Robert Kelly’s “Science,” poetry and science are not as separate as we might often think: they are both creative, and they both challenge us to see the world in new ways. In “The Sciences Sing a Lullabye” (2007), Albert Goldbarth illustrates another similarity between science and poetry by personifying the sciences (specifically physics, geology, astronomy, zoology, psychology, biology, and history) and imagining them as comforting figures.
It is comforting to think, as Physics tells us, that our atoms will “dance / inside themselves themselves without you,” or, as Geology says, that “All of the continents used to be / one body. You aren’t alone.” Meanwhile, Astronomy comforts the reader with a reassurance that “the sun will rise tomorrow” while History hands us “the blankets, layer on / layer, down and down.” In other words, the processes of our bodies and of the world will continue, even without our attention. And science is what provides the evidence of this continuation.